This book is an intellectual history of Nostalgia, a term coined in 1688
as a medical reference to the
mental perturbation or pain caused by a longing for home i.e. homesickness. It
was originally considered an illness which we would characterize today as a ‘narcissistic masochism that resists all
efforts at amelioration, acculturation, community; a loss of critical perspective,
intellectual reserve and moral courage’[Edward Said]. Nostalgic patients were
not seen as mere idiots deserted by their powers of reason but as individuals
willfully and quite paradoxically incapacitating themselves by stubbornly and
obsessively clinging to their private fantasies- ‘Imagining the certainty of
their self-feeling to be fully alive only in that particular place of which,
once cut off, they could only dream [Hegel].
Does the longing associated with nostalgia articulate the
promise of a health to be recovered, a
dangerous delusion to be enlightened, a lure to be dismissed, or a disease to
be healed, not by returning home, but only by discrediting the longing itself?
According to the author these questions lie at the very heart of nostalgia’s
intellectual history and interrogate fundamental aspects of modernity itself.
In Anthropology,
Emmanuel Kant makes the point that
“The homesickness of the Swiss (and, as I have it from the
lips of an experienced general, also of the Westphalians and Pomeranians from
certain areas) which befalls them when they are transferred to other lands, is
the effect of a longing that is aroused by the recollection of a carefree life
and neighborly company in their youth, a longing for the places where they
enjoyed the very simple pleasures of life.
Later, when they visit these places, they there find their anticipation
deceived and thus even their homesickness cured. To be sure, they think that
everything has been wholly transformed, but in fact it is that they cannot
bring back their youth with them. It is
remarkable that such homesickness befalls peasants of a penniless province,
where there are strong family ties, and it strikes them more than it does those
who are busy earning money and who take for their motto the patria ubi bene.”
Kant’s argument is appears quite simple enough. In nostalgia, we are yearning retrospectively
for a time that we imagine to have been a life without cares and of pure enjoyment;
we associate that life with a particular place which we seek to return to but,
since we cannot “bring back” our “immature” youth with us, what we truly long
for remain forever beyond our reach, and that is why our expectations
continually delude us.
Never-the-less, the author claims, even Kant himself had an
inkling of the complexity of the phenomena of nostalgia and how it carries on
even when the unenlightened sense of home – an irreducible and untranslatable
particularity of place incommensurable to the Enlightenment itself –has tuned
into a metaphor that carries many modern
dreams not just poetic but often purely noetic in character
Where the longed-for home becomes a metaphor, the
meaning of nostalgia itself is transformed, from an insufferable disease into
an itself desirable and positive longing to indulge in, to compensate for the
fear of no longer knowing a place that without any reservations might qualify
as “home.” It is because the original nostalgics seemed so incurably certain about
their particular home as both the cause and the cure of their longing that they
could easily turn into the sentimentalized objects of an anxious Enlightenment
and a more modern nostalgia. But where the notion of home becomes a mere
metaphor, this also means that modern nostalgia can become an even more
speculative eros ready to attach itself to ever more ideal and metaphysical
places.
Such dreams are not per se more enlightened in
that they carry with them also what instigates them, a sense of anxiety and
often also inevitable defeat and frustration likely to turn into ever more
aggressive dreaming hostile to all that real otherness which does not easily
square with the dream itself.
On the other hand, some
nostalgic speculations, even where they seem to take on a politically
conservative coloring, must never-the-less be reckoned with in terms of their
futural-progressive and also practical thrust.
The author goes on to “prominence” the utopian dimension of a nostalgia
provocatively critical of the Enlightenment’s universalizing thrust…
Beyond these general remarks I am hardly able to clarify the
author’s thoughts; not in my own words, certainly not in his. As Hans Blumenberg
wrote in The Legibility of the World:
“The tenacity with which some things return and invent their metamorphoses calls
for more insistent reflection on the constancy with which other things simply
abide.”
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