Monday, September 13, 2021

Notes on Charles Péguy by Mathew W. Maguire


 

Born into a provincial family of modest means *, Charles Péguy became an internationally famous intellectual in the years before the Great War; he was killed in that war at the age of forty-one. As a poet, journalist, and philosopher, for generations his writing prompted fascination, awe, fury, scorn, searching criticism, laughter, wonder, little imitation, and no indifference. Among Péguy’s most abiding  enquiries was the question of what it means to be modern . . .

The literary critic, Walter Benjamin, for example,, wrote enthusiastically and at length about Péguy, finding in his work a ‘friendly togetherness’ and a continual dialogue, a sense of touch absent in Proust. Benjamin also claimed admiringly of Péguy’s  politics and life that the phrase ‘the enemy of the laws, indeed, but the friend of the powers that be’ is one that ‘applies least of all the Péguy.’

Benjamin’s friend, the great scholar of Judaism Gershom Scholem, also wrote in high praise of Péguy, defender of the unique and mystical character of Judaism. Near the end of his life, Scholem said that Péguy ‘has incisively understood  the Jewish condition to an extent that has been rarely achieved, and has never been surpassed by non-Jews.’

For the twentieth-century Catholic theologian Hans Urs von Balthasar, Péguy transcended the characteristically modern tendency to assume a disjunction between the aesthetic and the ethical. The theologian Henri de Lubac wrote that Péguy ‘will save us from Nietzsche,’ because he responded to similar questions and dilemmas in decisively different ways. Following the same path, for the philosopher Charles Taylor, Péguy is a ‘paradigm example of a modern who has found his own path, a new path’, to faith.’

In political life, Péguy long enjoyed a similarly varied and enthusiastic readership. Charles de Gaulle –the single most influential person in 20th century French politics – acknowledged, ‘No writer marked me as much’ as Péguy. Yet a quite different political figure – the Sengalese intellectual and optician Leopold Senghor – also took inspiration from Péguy for the Negritude literary movement, with its emancipatory hope of bringing together traditional African cultures and modern ones.

Immediately after WWII, Hannah Arendt clarified her disagreements with  Péguy, but she counted him unhesitatingly among the champions of ‘freedom for the people and reason for the mind’ In the same postwar moment, the literary critic Rachel Bespaloff  wrote that  Péguy transformed the language that would later be used by fascists by directing it toward entirely different ends; he ‘had a mind whose rue significance is just beginning to be recognized.’ In a very different way, within the pages of Difference and Repetition, Gilles Deleuze finds in
Péguy  an indispensable thinker about time, who evokes the possibilities of repetition other than an assimilable concretion of similitudes and iteration of identity.’

[‘Anxiety’ is for Péguy a human experience, uniquely inflected in Judaism but not a uniquely Jewish one. Man as such is a  Puits d'inquiétude  (a well of anxiety) as he puts it in one of his most famous lines of verse,  and Jewish anxiety is ‘grafted’ into Christianity  by Jesus.]

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Péguy is a practitioner of distinctive thinking, and hence he does not fit neatly into our historiographical models. He is not easily collapsed into the standard model of late modern history or the technocratic historicism that accompanies it.

The appeal of shared conceptual preoccupations is not to be foresworn. But it is also not to be taken as self-evidently ‘serious’ in relation to all other forms of knowledge, including consciously embodied ones –particularly in history. Conceived somewhat  differently, it is a good thing that many contemporary histories are suspicious of heroic, promethean subjectivity. But calcified into an ideological commitment to affirm its opposite, this suspicion itself  becomes implausible, and can only sustain itself  by tendentious and preemptory readings, ones determined not to see that distinct and consequential evens of thought and action indeed happen within complex and unique historical moments. This  in turn discloses a striking professional contradiction:  from their graduate student days forward, historians are often evaluated supremely on the basis of their ability to do individually distinctive  and original work, and yet the principle underwriting a great deal of that individually distinctive and original history-writing assumes either that individual singularity and originality do not exist, or that they are historically insignificant.

In Péguy’s days, whatever possibilities scholars like Emile Durkheim saw in primitive  religion, the organic, messy contingency of narrative history, with room for meaningful agency and free will, was for many sociologists no less suspect than mysticism or universal love. For example, the sociologist Francis Simland  took  the pages of Le Revue de synthese historique in 1903 to criticize the practice of history for its failure to consign events and personal agency to is own disciplinary past. For Simland, historians should seek regularities and ‘if possible,  laws’ along with the the other positive sciences.’ Durkheim and other sociologists agreed.

In his essay ‘Historical Method and Social Science’ Simland instructs historians  that, along with sociologists, we are  to ‘clear or minds of these metaphysical relics’ that led them to assume  there are material facts but not social facts. The realm of the objective is that which is ‘independent of our individual spontaneity’ and thus social life can be considered objectively. All sciences are abstractions, but Similand believes that ‘fortunate abstractions’ are those that lead to the establishing of regularities and ultimate laws of natural science or social life. The notion of individual agency as a cause of change was naïve, and itself a late historical product of ‘social development’: the historian should be willing to apply an assertive skepticism (it seems almost an assumption of error) to the testimony of individuals in history trying to explain the reason for their own actions. That is to introduce ‘explanation by final causes,’ which is an illusion not acceptable in the ‘positive sciences’ . . .

Others would make even more expansive claims, as a ‘scientific’ ethos spread in the humanities themselves.

 Throughout higher education and educated commentary, the prestige of natural and social science, and the imitative forms in the humanities, had undergone a meteoric ascent between 1870 and 1900. Altering Péguy’s  term slightly, one could speak of an intellectual coalition –less united than Péguy’s term ‘party,’ more cohesive than a tendency – that had achieved great prominence at the start of the new century.

For all their differences, the member of this coalition conceived time in unwavering linear terms., and history as material, moral, social, and above all scientific progress along that temporal line. It inclined strongly to reject both religious revelation and ‘high’ metaphysics as incredible artifacts of a more primitive past (‘really’ belonging to earlier points along that temporal line),and believed that accompanied by a scholarly affect of of meticulous bourgeois sobriety – adopted by trained specialists engaged in the Cartesian crowd-sourcing of knowledge – a generally positivist notion of science would lead humanity forward. Freedom was not to be found in an affirmation of free will (now understood to be not only inflected or constrained but severely restrained or even determined entirely by either material or social laws); rather it was to be found through a cumulative critique and repudiation of the past and its ‘illusions’ in favor of brain studies and neurology, social fact, mathematically driven economics, history, and literature as scientific disciplines, an so on.

By pursuing these ends, both national and global society would embark upon a course of perpetual reformation, more just, more rational, and faithful to fact. New laws of nature and society- variously of history, technology and money- would be the fundaments of novel and uncompromisingly modern order of things. In particular, with rare exceptions, the thought and culture of all ages prior to the late eighteenth century now serve primarily as raw materials for academic industries of scholarship and science, rather than seeking out the work of a more distant history as a dialogical partner in understanding. In Renan’s radical forms of a ‘future science’, if  human beings must eventually become raw materials in turn- for a science that conquers human nature as the last frontier in the conquest of nature- so be it.

Beyond their stated intellectual ambitions, the members of this broad coalition held very considerable influence over academic appointments, as well as ambitious reforms of French education, from primary school through university. This was especially true of Durkheim and his students. Alongside changes in higher education, reforms in 1902 created a sequence for secondary education. . . .

 

What was clear to Henri Bergson, however, is that the proposed solution on offer from many of contemporaries did not hold: the collapse of conscious experience into material or sociological suppositions no longer appears as a bold extension of scientific reasoning but as the latest error in a long historical procession of errors designed to give human beings power rather than truth.

Péguy started to attend Bergson’s lectures in the late 1890s, and was quickly a fascinated student, with evident sympathy for Bergson’s conceiving human being as something other than a material, positive, socially, or physically quantifiable thing. Bergson’s psychology appears first in Péguy as a critical foil for Zola’s psychological associationism, in which ideas are connected to one another in a rote, mechanical fashion reminiscent of positivist psychology. According to Péguy, this positivist psychology is not a natural ally of justice and universal rights: it left Zola’s novels with a complacent anti-Dreyfusard readership dramatically at odds with the political allies he acquired as a result of J’accuse: ‘The circle of those who fought with Zola in the Dreyfus affair had few men in common with the circle of those who usually read Zola.’

Another of Péguy’s  early citations of Bergson also enlists Bergsian philosophy in political arguments. Here observations ‘not unknown to Bergson are made in support of an account of time, memory and history that emphasizes the accumulation of impressions and the living, morphologically vivid, and mobile presence of events in memory. Péguy argues from these remarks that a ‘true internationalism’ should ‘enlarge upon nationalism and the history that sustains it, rather than aspiring to an internationalism that rejects national and local attachments. ’In these early articles, Péguy expressed one of his most sustained convictions: victories for universal justice are only possible if substantial portions of different pasts are received and reconfigured with a living, integrative  openness.

Yet, even as he contemplated his utopian city and found in Bergson a critique of mechanical, materialist accounts of human motivation and experience, Péguy has concluded that there were decidedly  practical barriers to the universal emancipation of human beings, perhaps above all the press.. Like many of his contemporaries – real and fictional- he looked to the press as an agent of political and cultural transformation in service of truth. The journal he and his friends would found would start with the premise that ‘the bourgeois spirit is in the midst of destroying everything in France: honesty, the family, France itself. Now there are workers and poor people who are more bourgeois than certain rich people. The press contributes, more than any other power, to the progress of the bourgeois spirit.

The false universality Péguy perceived in the embourgeoisement of society would be a perpetual spur for his thinking. This perception also implied a practical question: How did the press find itself as the principle advocate of a global embourgeoisement, opposed to the universal emancipation of a humanist socialism? The root was the relationship of media to their readers: “At present all newspapers live by their readers, and are slaves to their readers.” Socialism would flourish in a regime of lucidity and honesty; embourgeoisement thrived in a regime of sensationalism and flattery.”

To prevent this ‘enslavement’ to a portion of the reading public, Péguy intended to start a journal by voluntary contributions, one that would allow it to challenge its readers with articles that did not confirm what they had already believed or wanted to hear. Nor would it address the diversions and sundry entertainments of modern life: as Péguy sharply put it : “In the place where newspapers insert racing tips [e.g. for gambling] it would be written: ‘we do not give tips on racing, because those who lose money they are imbeciles, and those who win are thieves.’

It is hard not to smile at Péguy’s tone; so accustomed are we to the ubiquity of entertainment and the ingratiating tone of marketing as the signal tone of efficacy and practical success that the scolding of readers in search of racing tips can seem quaintly severe, much like the monitors of the Lycee Lakanal allowing student bathing only once a month, or perhaps an earnest 19th century Kantian’s disdain for the blandishments of hypothetical maxims. But there was in this commitment of Péguy’s something that would shape his life, and inspire others.

The daily newspaper is not for Péguy, as it was for Hegel, the daily prayer of the realist; rather, Péguy claims it is ‘the beginning of decreation.’ It gives people ‘ready-made thought’ and with it a ‘ready-made soul’ or a ‘habituated soul’ shaped by both immediacy and seductive topicality of what it reads, and by the selective account of reality within it. Like modern history and modern sociology, journalism works towards a ‘second creation’ that will vindicate a certain construal of the world, even though the world of one’s own stubbornly complex and multidimensional experience does not. For these purposes, media and scholarship describe a constantly renewing cascade of events and experiences from the same metaphysical vantage point- while assuming that metaphysics itself is not ‘relevant’ or otherwise suitable for discussion.

Péguy was convinced that an indispensable claim of metaphysically modern persons was to deny that modernity had a metaphysics: that is, assumptions and convictions in relation to ultimate questions about the nature of being, knowledge, history, goodness, justice, beauty and truth that are not demonstratively certain. Whatever the answer, the responses to these questions transcend the findings of ‘physics’ in the Greek sense and exceed what can be known by inquiry into nature by science. In Péguy’s words, the ‘great cry of the modern world’ is that metaphysics can be dispensed with entirely. ‘What one opposes is metaphysics; what one defends is never metaphysics.’

Once a metaphysics ( including ‘metaphysics’ of modernity) has taken hold of a certain preponderance of influential persons and respected institutions it begins to claim  that its own metaphysical assumptions stand beyond serious question – they become the assumed template for all respectable opinion, with the same claim to consensual assent as replicated scientific findings. It is this which makes them so ‘unbearable.’

Péguy believed that a broad swath of professors in the new research universities, above all the professors associated with the New Sorbonne- including social scientists like Durkheim and Mauss, as ell as historians like Ernst Lavisse, Gustave Lanson, Charles Seignobos, and others – constituted a kind of party, the ‘parti intellectuel’ . They shared what he called the ‘superstition of the modern intellectual party . . . after so many others, before so many others. [That is] that they have said the last word about the history of humanity, that they have put the final period upon the history of human thought which  comes back essentially to this proposition: that man, that humanity can know, achieve, seize or embrace an integral knowledge with an exhaustive grasp of the entire event of reality, of man and of creation.’

For Péguy, late modern history observes the past but will not take the risk of entering into its organic complexity, in part because it presents to human beings their own limits, their own mortality, and their own perpetual incompleteness. Representation confines the real into manipulable, inorganic space: the map is preferred to the territory. Taken to its extreme end, it finally ceases to be ‘objective’; rather, it is ‘not subjective or objective’, it is simply removed from the reality of what it claims to address. History consists essentially in passing along-side the event. Memory consists essentially in being inside the event, in above all not leaving it, remaining there, and in ascending back from within.  The turn towards memory requires participation and vulnerability, and so it is not for those who wish to remain merely secure. ‘To de
Péguy scend into one’s self, that is the great  terror of man.’ Memory, in ’s formulation, enters into the past and understands its unique questions and tensions as ones that demand a human response that includes risk, and a patient discernment. It is a multidimensional, exacting, carefully critical  receptivity on the part of the author who recounts and investigates past events.

Yet for  ‘Péguy events’ are not simply historical or present ‘happenings’. Events were the unpredictable, startling transformative developments that altered the horizons of possibility for a person, a people, or history itself – in is in this way that the contemporary philosopher Alain Badiou  thinks of events, with Péguy as forerunner. Nassim Taleb’s ‘Black Swan’ also has some of the connotations
Péguy  places on the event that inspires or constitutes transformative happenings in the history of a culture or civilization, including the ultimate meaning and purpose of politics , science, metaphysics, and revelation.

With the turn toward an ‘objective’ understanding of human being, the perpetually  unpredictable quality of the transformative event was no longer a respectable entrant into thought. For Péguy, the event eludes all predictive, putatively ‘scientific’ or ‘realistic’ or comprehensively  ‘contextual’ models of human behavior. It has myriad elations to its own past, but it comes as a shock. ‘What is always most unforeseen, is always the event. (For
Péguy , The Christian Incarnation, the French Revolution, and the Dreyfus affair all stand as events.) These transformative discoveries are generally not only unforeseen but unwanted a well: they ‘have almost never been desired by contemporaries.’

The leaders of the intellectual party believed that with modern metaphysics they had found  clear, foreseeable patterns and meanings. They tended  very strongly that human beings can anticipate a final historical judgment –towards universal freedom or equality, or the conquest of nature affected by human beings for themselves. It was and idea for  appears with much greater power in the modern period than in any of its predecessors. It was no longer an eschatological judgment but drawn from history itself, a ‘laicization’ of divine judgment. The future verdict of history is passionately sought, for it has become a substitute for he judgment of God or gods. But for Péguy, this hope of validation from history is founded on the ‘illusion of perspective.’

Many of his contemporaries imagined future persons and generations smiling attentively upon their epoch, or their own lives, or perhaps simply their opinions, and sanctioning their most important decisions in an ongoing future that intimates eternity without taking leave of history. But
Péguy observes tartly that futures ( for him there was no singular ‘future’) will have their own constantly changing priorities, as well as their own futures, the futures will doubtless have their own flaws that make their judgments partial and flawed like the judgments of one’s own time: posterity, he says, ‘will have other fish to fry.’ It is also impossible to predict those futures merely by extending the predilections of the present, which is what people living in anticipation of future vindication want and expect, assuming that  ‘posterity’ is like themselves . . .but later.
Yet if one actually believes that the judgment of one’s life will come from posterity’s approval, then one’s expectations of history’s ‘direction’ take on a heretofore inconceivable strength. They become the subject of an almost religious awe and concomitant obedience in return for a purely temporal salvation, bestowed on the elect that were ‘faithful’ to the future (with the definite article) before it had fully realized itself. It is a futile if poignant hope: for Péguy the notion of a single ‘tribunal of history’ or ‘judgement of posterity is quite touching. But the illusion of an extended and continuous vindication in time never becomes real.

 

Above all, modern metaphysics – along with the intellectual party- deployed a ubiquitous if subtle evasion when it wanted,  in Péguy’s formulation, to present its metaphysics as a secure body of knowledge. It aspired to create methods and systems, but these inevitably relied upon an ‘as if’ (Péguy made this claim before the publication of Hans Valhinger’s famous book on the subject). For Péguy the ‘as if’ involved a series of assumptions that animate the discipline or resolve the enquiry that are themselves uncertain, and require some metaphysical decision that is masked as a procedural necessity or a dictate of disinterested reason. For example,, a modern discipline operates on the assumption that human beings are fundamentally motivated by rational self-interest, that religion is supremely or exclusively a social act, that human experience can be satisfactorily quantified, and so on. No  argument  is made; the discipline functions on the grounds that it acts as if these claims were true.

For Péguy, ‘the real absolutely can in no way welcome or accept this as if ‘that represents the forgetting of ‘organic memory’. The ‘as if’ becomes a ‘perpetual miracle’ and ‘monstrous’. It allows a science of human being to exempt itself from reality. For Péguy, human sciences aspire to by-pass lived human experience. Actual experience, he wrote, ‘as it is, as it comes from the womb of nature, earthly experience . . . not at all sanitized . . .one would almost dare say anarchist,’ is set aside for ‘experience as it ought to be . . .washed experience, shaved, clad, dressed, sanitized, presentable. This experience is ‘the sole object of truly scientific knowledge,’ but it can never be more than an incomplete and abstract rendering of reality.’

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*[Péguy  had very modest origins. His father died before his son’s first birthday. He was raised by two women- his mother and grandmother- who earned their living by mending chairs. Both worked harrowing hours: his mother for sixteen hours a day beginning at four in the morning. His grandmother worked alongside her and told  Péguy old peasant stories, folktales among them, including tales of the damned. The vivacity of her telling gave him a lasting memory memory of what she said. Péguy was struck by the fact that he had learned his mother tongue from a peasant grandmother who could neither read nor write. He later wrote of how a past of ‘unlettered souls’ in a culture were like a ‘reserve’, an ‘immense ocean, and a ‘secret treasure.’]

 

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