Wednesday, July 28, 2021

The Fountainhead of Magical Belief by Bronislaw Malinowski





 

So far we have been dealing mainly with native ideas and with native views of magic. This has led us to the point where the savage simply affirms that magic gives man power over certain things. Now we must analyze this belief from the point of view of the sociological observer. Let us realize once more the type of situation in which we find magic.

Man, engaged in a series of practical activities, comes to a gap; the hunter is disappointed by his quarry, the sailor misses propitious winds, the canoe builder has to deal with some material of which he is never certain that it will stand the strain, or the healthy person suddenly feels his strength failing. What does man do naturally  under such conditions, setting aside all magic ,belief and ritual? Forsaken by his knowledge, baffled by his past experience and by his technical skill, he realizes his impotence. Yet his desire rips him only the more strongly; his anxiety, his fears and hopes, induce a tension in his organism which drives him to some sort of activity. Whether he be savage or civilized, whether in possession of magic or entirely ignorant of its existence, passive inaction the only thing dictated by reason, is the last thing in which he can acquiesce. His nervous system and his whole organism drive him to some substitute activity. Obsessed by the idea of the desired end, he sees it and feels it. His organism reproduces the acts suggested by the anticipation of hope, dictated by the emotion of passion so strongly felt.

The man under the sway of impotent fury or dominated by thwarted hate spontaneously clenches his fist and carries out imaginary threats at his enemy, muttering imprecations, casting words of hatred and anger against him. The lover aching for his unattainable or unresponsive beauty sees her in his visions, addresses her, and entreats and commands her favors, feeling himself accepted, pressing her to his bosom in his dreams. The anxious fisherman or hunter sees in his imagination the quarry enmeshed in the nets, the animal attained by the spear; he utters their names, describes in words his visions of the magnificent catch, he even breaks into gestures of mimic representation of what he desires. The man lost at night in the woods or the jungle, beset by superstitious fear, sees around him the haunting demons, addresses them, tries to ward off, to frighten them, or shrinks from them in fear, like an animal which attempts to save itself by feigning death.

These reactions to overwhelming emotion or obsessive desire are natural responses of man to such a situation, based on a universal psycho-physiological mechanism. They engender what could be called extended expressions of emotion in act and word, the threatening gestures  of impotent anger and its maledictions, the spontaneous enactment of the desired end in a practical impasse, the passionate fondling gestures of the lover, and so on. All these spontaneous acts and spontaneous works make man forecast the images of the wished for results, or express his passions in uncontrollable gestures, or break into words which give vent to desire and anticipate its end.

And what is the purely intellectual process, the conviction formed during such a free outburst of emotion in words and deed? First there surges a clear image of the desired end, of the hated person, of the feared danger or ghost. And each image is blended with its specific passion, which drives us to assume an active attitude towards that image. When passion reaches the breaking point at which man loses control over himself, the words which he utters, his blind behavior, allow the pent-up physiological tension to flow over. But over all this outburst presides the image of the end. It supplies the motive force of the reaction, it apparently organizes and directs words and acts towards  a definite purpose. The substitute action in which the passion finds its vent, and which is due to impotence, has subjectively all the value of a real action, to which emotion  would, if not impeded, naturally have led.


As the tension spends itself in these words and gestures the obsessing visions fade away. The desired end seems nearer satisfaction, we regain our balance, once more at harmony with life. And we remain with a conviction that the words of malediction and the gestures of fury have traveled towards the hated person and hit their target; that the imploration of love, the visionary embraces, cannot have remained unanswered, that the visionary attainment of success  in our pursuit cannot have been without a beneficial influence on the pending issue. In the case of fear, as the emotion which has led us to frenzied behavior gradually subsides, we feel that it is this behavior that has driven away the terrors. In brief, strong emotional experience, which spends itself in a purely subjective  flow of images, words, and acts of behavior, leaves a very deep conviction of its reality, as if of some practical and positive achievement, as if of something done by a power revealed to man. This power, born of mental and physiological obsession, seems to get hold of us from outside, and to primitive man, or to the credulous and untutored mind of all of ages, the spontaneous spell ,the spontaneous rite, and the spontaneous belief in their efficiency must appear as a direct revelation from some external and no doubt impersonal sources.

When we compare this spontaneous ritual and verbiage of overflowing passion or desire with traditionally fixed magical ritual and with the principles embodied in magical spells and substances, the striking resemblance of the two products..  Magical ritual, most of the principles of magic, most of its spells and substances, have been revealed to man in those passionate experiences which assail him in the impasses of his instinctive life and of his practical pursuits, in those gap and breaches left  in the ever imperfect wall of culture which he erects between himself and the besetting temptations and dangers of hi destiny. In this I think we to recognize not only one of the sources but the very fountainhead of magical belief.

To most types of magical ritual, therefore, there corresponds a spontaneous ritual of emotional expression or of a forecast of the desired end. To most features of magical spell, to the commands, invocations, metaphors, there corresponds a natural flow of words, in malediction, in entreaty, in exorcism, and in the descriptions of unfulfilled wishes. To every belief in magical efficiency there can be laid in parallel one of those illusions of subjective experience, transient in the mind of the civilized rationalist, though even then never quite absent, but powerful and convincing to the simple man in every culture, and, above all, to the primitive savage  mind.

Thus the foundation of magical belie and practice are not taken from the air, but are due to a number of experiences actually lived through, in which man receives the revelation of his power to attain the desired end. We must now ask: What is the relation between the promise contained in such experience and their fulfillment in real life.  Plausible though the fallacious claims of magic might be to primitive man, how is it that they have remained so long unexposed?

The answer to this is that, first, it is well known fact that in human memory the testimony of a positive case always overshadows the negative one. One gain easily outweighs several losses, Thus the instances which affirm magic always loom far more conspicuously than those which deny it. But there are other facts which endorse by a real or apparent testimony the claims of magic. We have seen that magical ritual must have originated from a revelation in a real experience. But the man who from such an experience conceived, formulated, and gave to his tribesmen the nucleus of a new magical performance-acting, be it remembered, in perfect good faith –must have been a man of genius. The men who inherited\ and wielded his magic after him, no doubt always building it out and developing it, while believing that they were simply following up the tradition, must have always been men of great intelligence, energy, and power of enterprise. They would be the men successful in all emergencies. It is an empirical fact that in all savage societies magic and outstanding personality go hand in hand. Thus magic also coincides with personal success, skill, courage, and mental power. No wonder that it is considered a source of success.

The personal renown of the magician and its importance in enhancing the belief about the efficiency of magic are the cause of an interesting phenomena: what may be called the current mythology of magic. Round every big magician there arises a halo made up of stories about his wonderful cures or kills, his catches, his victories, his conquests in love. In every savage society such stories form the backbone of belief in magic, for, supported as they are by the emotional experiences which everyone has himself, the running chronicle  of magical miracles establishes its claims beyond any doubt or cavil. Every eminent practitioner, besides his traditional claim,, besides the filiation with his predecessors, makes his personal warrant of wonder-working.

Thus myth is not a dead product of past ages, merely surviving as an idle narrative. It is a living force, constantly producing new phenomena, constantly surrounding magic by new testimonies. Magic moves in the glory of the past tradition, but it also creates its atmosphere of ever nascent myth. As there is a body of legends already fixed, standardized, and constituting the folklore of the tribe, so there is always a stream of narratives in kind to those of mythological time. Magic is the bridge between the golden age of primeval craft and the wonder-working power of today. Hence the formulas are full of mythical allusions, which, when uttered, unchain the power of the past and cast them into the present.

With this we see also the role and meaning of mythology in a new light. Myth is not a savage speculation about the origin of things born out of philosophical interest. Neither is it the result of the contemplation of nature – a sort of symbolical representation of its laws. It is the historical statement of one of those events which once for all vouch for the truth of a certain magic. Sometimes it is the actual record of a magical revelation coming directly from the first man to whom magic was revealed in some dramatic occurrence. More often it bears on its surface that it is merely a statement of how magic came into the possession of a clan or a community or a tribe. In all cases it is a warrant of its truth, a pedigree of its filiation, a charter of its claim to validity. And as we have seen, myth is the natural result of human faith, because every power must give signs of its efficacy, must act and be known to act if people are to believe in its virtue. Every  belief engenders its mythology, for there is no faith without miracles, and the main myth recounts simply the primeval miracle of the magic.

Myth, it may be added at once, can attach itself not only to magic but to any form of social power or social claim. It is used always to account for extraordinary privileges or duties, for great social inequalities, for severe burdens of rank, whether this be very high or very low. Also the beliefs and powers of religion are traced to their sources by mythological accounts. Religious myth, however, is rather an explicit dogma, the belief in the nether world, in creation, in the nature of divinities, spun into a story. Sociological myth, on the other hand, especially in primitive cultures, is usually blended  with legends about the sources of magical powers. It can be said without exaggeration that the most typical, most highly developed, mythology in primitive cultures, is that of magic, and the function of myth is not to explain but to vouch for, no to satisfy curiosity but to give confidence in power, not to spin out yarns but to establish the flowing freely from present-day occurrences frequently similar validity of belief. The deep connection between myth and cult, the pragmatic function of myth in enforcing belief, has been so persistently overlooked in favor of the etiological or explanatory theory of myth that it was necessary to dwell on this point.

1 comment:

  1. "The function of magic is to ritualize man’s optimism, to enhance his faith in the victory of hope over fear. Magic expresses the greater value for man of confidence over doubt, of steadfastness over vacillation, of optimism over pessimism.

    Looking from far and above, from our high places of safety in developed civilization, it is easy to see all the crudity and irrelevance of magic. But without its power and guidance early man could not have mastered his practical difficulties as he has done, nor could man have advanced to the higher stages of culture. Hence the universal occurrence of magic in primitive societies and its enormous sway. Hence we do find magic an invariable adjunct of all important activities. I think we must see in it the embodiment of the sublime folly of hope, which has yet been the best school of man’s character"

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