With murky
historical origins, the lettre de cache
(often mistakenly glossed as “poison-pen letters’) were letters addressed to
the king, letters that invoked his absolute power to intervene in problems of
marital and family life by imprisoning family members on charges of theft,
debauchery, drunkenness, infidelity, and other violations of civil order.
Although some historians date the letters’ origins to the fourteenth century,
or perhaps earlier, their use by the king to intervene personally in the exercise
of sovereignty dates to the sixteenth century, and their frequency as a tool of
royal administration increased in the seventeenth century. Often associated
with the excesses of royal absolutist power, historians initially viewed these
letters as the prerogative of the king and upper aristocracy. However, although
some French notables were arrested in this way (notoriously, Diderot and the
Marquis de Sade), most letters were penned by the poor and illiterate with the
help of hired scriveners. Many of the dossiers contained multiple letters; they
included either repeated attempts to imprison a family member, or additional testimonials
from neighbors, the local cure, or police, or later requests that said family
member be returned home. These requests for confinement were subsequently
directed to and enforced by the local police – without any judicial interventions
or possibility for self-defense. Taken as a whole, these letters offer a
unique set of historical documents for a period (1728-1758) in which the royal
court, regional parlements (courts of
appeal), Catholic Church, and other elites dominate public record. They provide
and window onto to the experience of ordinary lives touched by power.
Families turned to the king at times when the
authority of their internal hierarchy was powerless and when seeking recourse
in the justice system was neither possible (because the matter was too trivial)
nor desirable (because it would have been too slow, too costly, too shameful,
too uncertain). An insistent demand for state intervention came into being. Was
this demand stronger in modest or poor circles than it was in those where
greater resources might have been available to resolve problems of this nature
(a residence in the countryside or in exile for the scandalous wife or the
spendthrift son, a convent where, through means of a pension or a dowry, a
troublesome daughter could be imprisoned)? It is possible.
It was always the king whose intervention was solicited
and his administration that looked twice before intervening. That royal
authority would pay attention to a small family drama, that would take sides
with a father, a husband, a wife etc., doing so outside of the forms of
rule-governed justice, that within a family it would enforce its own values,
doing so through the police apparatus and its instruments of punishment was
something that became not only allowed but actively sought after. The king as
the protector and judge of family activities, this image whose symbolism is
quite obvious, was at the same time a daily reality in which the feeling of security provided was
shadowed by a growing anxiety towards this infinite arbitrariness* that was
capable of striking at any moment. This explains why the practice of the family
lettre de cache had by the end of the
Ancient Regime come to seem as if it had reached a saturation point.
But in hiding the wrongdoer from the eyes of the world, imprisonment without a determined sentence permanently washed away the stain of guilt. This erasure is rather astonishing and required repentance to work. The king corrected, or so it was said, but he did not punish. And relatives did not make the mistake of arguing over this feature of correction that was also a way for the detainee to mend his ways, to regret his wrongdoings, and, through solitude, to find clarity and even, why not, innocence. Once again everything differed from the regular system: the family request for imprisonment was an site of repentance, something that ordinary justice was little interested obtaining. In the eighteenth century, justice whipped and banished, marked and scarred the body, and sent people to the galleys, without troubling itself over other forms of correction. This notion of correction was as absent from the legal system procedures as it was from its problematic. The physical suffering inflicted served a two-fold purpose; avenging the wrong done to society and making this visible upon the body of the condemned, striking the flesh of the delinquent enough for the punishment to become a spectacle, an intimidation, a lesson for others. The legislator was hardly thinking of guiding the criminal’s soul. The soul would only become important much later, during the nineteenth century, when criminality-obsessed philanthropists would lend prisons the atmosphere of convents, in which the guard’s eye as there to provoke repentance, fight evil, and compel amendment. Family requests for imprisonment calling for repentance prefigured the large philanthropic projects of the next century.
But in hiding the wrongdoer from the eyes of the world, imprisonment without a determined sentence permanently washed away the stain of guilt. This erasure is rather astonishing and required repentance to work. The king corrected, or so it was said, but he did not punish. And relatives did not make the mistake of arguing over this feature of correction that was also a way for the detainee to mend his ways, to regret his wrongdoings, and, through solitude, to find clarity and even, why not, innocence. Once again everything differed from the regular system: the family request for imprisonment was an site of repentance, something that ordinary justice was little interested obtaining. In the eighteenth century, justice whipped and banished, marked and scarred the body, and sent people to the galleys, without troubling itself over other forms of correction. This notion of correction was as absent from the legal system procedures as it was from its problematic. The physical suffering inflicted served a two-fold purpose; avenging the wrong done to society and making this visible upon the body of the condemned, striking the flesh of the delinquent enough for the punishment to become a spectacle, an intimidation, a lesson for others. The legislator was hardly thinking of guiding the criminal’s soul. The soul would only become important much later, during the nineteenth century, when criminality-obsessed philanthropists would lend prisons the atmosphere of convents, in which the guard’s eye as there to provoke repentance, fight evil, and compel amendment. Family requests for imprisonment calling for repentance prefigured the large philanthropic projects of the next century.
* The
lieutenancy was caught up in its own dream- policing in the eighteenth century
was build entirely around a dream: manufacturing the peoples’ happiness-taking
advantage of its ability to dispatch lettres
de cache, it appropriated royal intervention as a means of palliating its
own weakness, disorder, incoherence, and lack of initiative. As we have seen,
inspectors and superintendents tasked with investigations descended into
neighborhoods and picked up all manner of information; nothing could be more random,
precarious, and unjust than procedures
of this nature.. Thus “the order of the king” sprawled outwards, its tentacles
extending everywhere that the lumbering justice system, which was so poorly
adapt to insubordinate Parisian sociability, had been unable to introduce itself. . .
Afterword
In 1979 or 1980, I received a telephone call from Michel Foucault asking to meet me in regard to a potential collaboration. How can I express my surprise and emotion when faced with such are request? There were so many disparities between us: social status, age, book publications, international prestige, classes whose audience threatened to spill out beyond the large lecture hall at the College de France . . .
During our meeting, he explains that he wants to publish a fair number of requests for imprisonment sent to the king and to write accompanying interpretations and analysis. At this point I understand that he appreciates the way in which I read “these manuscripts from the past” from poor families who addressed the king in an extraordinarily direct way, without the intermediary of ordinary justice. I had, of course, read, in 1975, his article titled “Lives of Infamous Men,” which conveyed his admiration for and emotional attachment to the grievances addressed to the highest power in the kingdom. With rigor, emotion, and lyricism, he spoke of lives illuminated solely by ‘the light of justice,” thanks to which they were able to be preserved. The intelligent, controlled and impassioned lyricism of his opening sentences touched me enormously. He spoke of men and women of vies breves, brief lives, a term he preferred to nouvelles in the literary sense of the term. The unique and unfailing beauty of his writing gave a specific tone to the text. For Foucault, those singular lives were also vies poems, life-poems. Speaking of emotion in those days represented a real break from the traditional way of writing about history. He wrote: “I admit that these ‘ short stories’ suddenly emerging from two and a half centuries of silence, stirred more fibers within me that what is ordinarily called literature . . . If I made use of documents like these . . . it was doubtless because of the resonance I still experience today when I happen to encounter these lowly lives reduced to ashes in the few sentences that struck them down.”
Reading about the emotional and physical resonance Foucault experienced was a revelation for me, encouraging and comforting. All the more so because, as a woman, known for being sensitive, my perspective as an historian was often put into doubt, sullied by attributes that historical science didn’t want to understand and on which it has casually shut its door. Having chosen to focus my research on judicial archives, the road ahead was sometimes difficult and combative. It was necessary to maintain, in the most intelligent way possible, that spoken words, the unique situation of every human being, their discourse formed ‘events’ that could be social or religious, political or affective, and more often than not filled with emotion. . .
As for me, today, I’d like to address the reader directly. I want to share – all these years later – a few disarmingly simple musings and memories:
In 1979 or 1980, I received a telephone call from Michel Foucault asking to meet me in regard to a potential collaboration. How can I express my surprise and emotion when faced with such are request? There were so many disparities between us: social status, age, book publications, international prestige, classes whose audience threatened to spill out beyond the large lecture hall at the College de France . . .
During our meeting, he explains that he wants to publish a fair number of requests for imprisonment sent to the king and to write accompanying interpretations and analysis. At this point I understand that he appreciates the way in which I read “these manuscripts from the past” from poor families who addressed the king in an extraordinarily direct way, without the intermediary of ordinary justice. I had, of course, read, in 1975, his article titled “Lives of Infamous Men,” which conveyed his admiration for and emotional attachment to the grievances addressed to the highest power in the kingdom. With rigor, emotion, and lyricism, he spoke of lives illuminated solely by ‘the light of justice,” thanks to which they were able to be preserved. The intelligent, controlled and impassioned lyricism of his opening sentences touched me enormously. He spoke of men and women of vies breves, brief lives, a term he preferred to nouvelles in the literary sense of the term. The unique and unfailing beauty of his writing gave a specific tone to the text. For Foucault, those singular lives were also vies poems, life-poems. Speaking of emotion in those days represented a real break from the traditional way of writing about history. He wrote: “I admit that these ‘ short stories’ suddenly emerging from two and a half centuries of silence, stirred more fibers within me that what is ordinarily called literature . . . If I made use of documents like these . . . it was doubtless because of the resonance I still experience today when I happen to encounter these lowly lives reduced to ashes in the few sentences that struck them down.”
Reading about the emotional and physical resonance Foucault experienced was a revelation for me, encouraging and comforting. All the more so because, as a woman, known for being sensitive, my perspective as an historian was often put into doubt, sullied by attributes that historical science didn’t want to understand and on which it has casually shut its door. Having chosen to focus my research on judicial archives, the road ahead was sometimes difficult and combative. It was necessary to maintain, in the most intelligent way possible, that spoken words, the unique situation of every human being, their discourse formed ‘events’ that could be social or religious, political or affective, and more often than not filled with emotion. . .
As for me, today, I’d like to address the reader directly. I want to share – all these years later – a few disarmingly simple musings and memories:
I remember
his laugh
I remember
his conviction when talking about singular lives and making them actors in
history
I remember
his love for cinema
I remember
love for his black cat
I remember
his erudition, his passion for books, literature, reasoning, the desire to
convince, the subversive desire (volunte)
I remember his appetite for thinking outside the box, for breaking down barriers between disciplines
I remember his appetite for thinking outside the box, for breaking down barriers between disciplines
I remember
his appreciation for the disparate, which deconstructed what we call “the real”
( le reel)
I remember
his desire that we each learn the fable of obscure lives
I remember
that he always spoke of true lives
I remember his vocabulary: strategies and power
I remember his vocabulary: strategies and power
I remember
how much he like ruptures and discontinuities, rifts and cracks
I remember
what he thought of those in power and the “characters out of Celine trying to make themselves heard at Versailles.”
I remember his writing to which I don’t want to append any adjectives given that, for me, it is the writing of history.
I remember his fierce love of the shameful and shameless
I remember his activism and his fight for the prisons
I remember the lifelong lesson he imparted on me that the quelconque, the whatever, was only able to appear under the impetus of power
I remember that the quelconque is so serious that it must know how to defy power
I remember his writing to which I don’t want to append any adjectives given that, for me, it is the writing of history.
I remember his fierce love of the shameful and shameless
I remember his activism and his fight for the prisons
I remember the lifelong lesson he imparted on me that the quelconque, the whatever, was only able to appear under the impetus of power
I remember that the quelconque is so serious that it must know how to defy power
I remember
meeting and working with Michel Foucault.
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